![vintage gay movies online vintage gay movies online](https://i.ytimg.com/vi/YDQSUejqGx8/maxresdefault.jpg)
Once its understood that reality is some barely tethered entity in the world Matsumoto has created, nothing is out of the scope of possibilities. A Benny Hill-style fight scene with cartoon speech bubbles somehow isn’t contextually disjointed from an ultra-tight close-up of a torrid sex scene. The rivalry between Eddie and Leda, and Eddie’s love affair with Gonda all come to a crushing end on the level of a Greek tragedy that Bartok so accurately describes as a “sucker punch.”įuneral Parade of Roses is a dizzying patchwork of styles and techniques, yet the film as a whole feels cohesive.
![vintage gay movies online vintage gay movies online](https://www.mordeo.org/files/uploads/2019/07/White-Horse-Running-4K-Ultra-HD-Mobile-Wallpaper.jpg)
The film is a mishmash of documentary-style interviews, fourth-wall-breaking asides, and innovatory interludes that shatter the would-be linear story of Eddie (Peter), a young host at the gay bar Genet, who becomes embroiled in a love triangle with the club’s fading madame Leda (Osamu Ogasawara) and its philandering owner Gonda (Yoshio Tsuchiya).
#VINTAGE GAY MOVIES ONLINE MOVIE#
Visually, it’s a stunning movie–the black and white cinematography and the imagery in the movie are some of the most memorable that I’ve ever seen.”įuneral Parade of Roses plunges into the gay and drag bar scene in 1960s Tokyo. “You really feel the passion and the fervor, and the excitement of moviemaking in Funeral Parade of Roses throughout almost every image and every scene in the film. “It’s one of the most kinetic films I’ve ever seen,” says Bartok, executive vice president of acquisitions and distributions at Cinelicious Pics, and general manager at American Cinematheque. This is the sort of overlooked, pathbreaking, transgressive film that we want to be doing as part of this larger collection of films we’re building at Cinelicious Pics.”
![vintage gay movies online vintage gay movies online](https://www.mordeo.org/files/uploads/2019/11/BMW-Concept-4-2019-4K-Ultra-HD-Mobile-Wallpaper.jpg)
“This is one that Dennis suggested and we were all immediately like, absolutely. “We’re all just giant movie nerds, so everyone has a running list of dream projects that we would like to pursue,” says David Marriott, vice president of acquisitions and distributions at Cinelicious Pics. Like the Japanese animated cult classic Belladonna of Sadness and other films in its catalogue, Cinelicious Pics chose to pursue Funeral Parade of Roses based primarily on passion. Among a bevy of shorts, Matsumoto directed only four features, but it’s his first that remains one of the most groundbreaking films in the Japanese New Wave–and the restoration and distribution team at Cinelicious Pics is making sure Matsumoto and Funeral Parade of Roses are more than just a footnote to another director’s legacy.Ĭinelicious Pics recently re-released Funeral Parade of Roses with a 4K restoration that Matsumoto was able to be a part of until his passing in April. As an avant-garde artist, filmmaker, and theorist Matsumoto’s work was steeped in the experimental and subversive, mainly expressed through short films like For My Crushed Right Eye, Mona Lisa, and Mothers.